Artist Spotlight: Cedar Mortenson

This month, we’ll be putting our Artist Spotlight on Cedar Mortenson. JAC asked Cedar some questions, and below you’ll find Cedar’s response. But first, an introduction in Cedar’s own words:

 CM: Thank you for contacting me, for your correspondence and notifications. I hope this letter finds you well, in good spirits and warm. There is quite a lot of snow outside here, from what I can see on the weather channel anyhow. I haven’t been outside for over 6 months. I dream about the sun on my face, rain, wind, snow, dirt under my feet. I usually chef at one of the local ski resorts in Northern New Mexico near where I live at so I can get my free lift pass that goes along with the job, then all my extra time is spent upon the mountain with my snowboard or playing with the dogs and the horses in the snow. Sometimes I get snowed in where I live way up in the mountains so it’s just us til the snow melts enough to get out or my SUV can get through the snow pack. I miss home a lot. It’s hard to be incarcerated so far away from home.

untitled
Untitled, Cedar Mortenson

 JAC: What inspires your artwork?

 CM: Life in general, mostly the impact that life occurrences have on my heart as the pencil and paper is a channel to that. It’s a form of therapy in here. I exercise, I shower, I sleep, read, write, draw. I miss the people I love so much that it’s hard to write them or call, plus phone calls are expensive and I don’t want them to have to come out of their pockets for my bad choices, so I write but it hurts a lot; drawing is a better way to convey my love and thoughts. I draw them portraits and dreams. My dogs and horses inspire my artwork. I am a naturalist, activist, chef, poet, freestyle cage fighter, and outdoorsperson among being an armed robber apparently. I go to sleep every night looking at photos of my dogs. We have a pack. I’m the leader. We need to be together. My brother is looking out for them but he doesn’t love them like I do. He doesn’t embrace them and squeeze their fuzzy faces against his own and kiss the top of their heads, and sing them their songs. They each have their own song, and they get so happy when you sing to them. “There was a sailor dog named Blue… She sailed across the whole Atlantic Ocean…” So begins Blue’s song. Blue and Pepper are sisters. Rocco, Doodle, Midnight and Amos are Pepper’s sons. Midnight has gone missing since I’ve been incarcerated,

 I also have horses. This is my family. I am responsible for taking care of them. I enter art competitions with hopes of placing to win cash awards to send to my mom to buy dog food and hay for them, and my motives are accelerated now with winter here.

The Eye of the Joshua Tree
The Eye of the Joshua Tree, Cedar Mortenson

 This is my main challenge as an incarcerated artist, is trying to find ways to support my furry family and my family too. When I’m free I’ll always help my mom with wood for the winter and hay and bring her groceries. She lives on a rural reservation with her husband and is elderly. Giving time to the elderly is really important. 

It’s a challenge finding a continuum to remain proactive about environmental issues. The jail gives us our food in styrofoam containers. I retail biodegradable compostable products and packaging for 5 FDA approved U.S. companies and can offer them a more cost efficient and completely biodegradable alternative but of course as an inmate they won’t use the resources I offer. 

 Persistence can crack an egg though it’s a challenge to find the most direct outlets for writing and drawing proactive issue work materials that I feel may have the most influential impact. How do I reach people with my art and writing from here? I’m grateful to JAC for the opportunities they provide to do so, and I believe this coalition will grow and prosper in its ability to reach more and more people over the course of time. It’s a challenge as an artist/muralist to be limited to 8” by 12” paper with colored pencils, pen, ink that are 3 inches long and grow shorter with use because apparently they can be used as weapons if they are longer than 3 inches. I’ve recently discovered the white paper lunch sacks. When carefully deconstructed from about an 18 by 24 inch platform to create on and can easily fold back up to fit in a regular business size envelope. This discovery came after continuous write ups from ripping up the facility’s linen sheets to use as canvasses to draw on. So far they haven’t confiscated any of my paper sack artwork yet.

 I could go on to list more challenges but in all honesty the blessings are as great, thank God I have an imagination, a sense of humor, the ability to create and the tools that are accessible and approved to create what I can. God is good to me. I am humble and grateful. Where I’m at is no one’s fault but my own.

Genjis Horse Murasaki
Genji’s Horse, Cedar Mortenson

It is enough that our time with loved ones is taken from us in penalty. Our voices and hearts. Expression should have a continuum always, this is the essence of life and no one should be allowed to take that from any individual under any circumstances. So thank you so much for providing an outlet for this; it’s rewarding to me to have this form of expression, correspondence, communication. I sincerely hope this is reciprocated to you and the members of the Coalition committee who work to make this possible that they can continually feel their efforts are making a difference and receive a beneficial impact in their own lives as well. And of course I hope that people will buy my artwork through this experience as I constantly stress about my animals everyday.

 

 

Please consider joining our pARTner Project to connect directly with an artist in prison. Find more information and sign up by clicking here.

 

Who is Mark Andreason?

by Mark Andreason*

I'm Tired
I’m Tired, Mark Andreason. From Mark’s friend: “Mark tells the story of being tired of feeling like he is in a fish bowl where others ogle at him while in his cell.”

The question has been coming up a lot lately. I enjoy creating art, but I know that I am more than my work. I create the art to escape from this life I have been leading behind bars. It has been a horrible experience, and I would not wish it upon anyone, but I take responsibility for the bad things I have done. So, when I ask myself, “Who is Mark Andreason?”, I recognize that I am on a path of self-discovery since taking this leap of faith that my art will take me anywhere but here.

I find myself smiling more as a result of feeling like a kid again. I am becoming more aware of what is simple beauty. The other day, I noticed a squirrel that ran to me for food. It was awesome to see this creature in my surroundings that usually does not sustain anything attributed to nature. Prison life has been hard and hardened my outlook on life. Yet, the squirrel’s lack of fear toward me made me feel like I am approachable. It put me at ease in my own space.

My Ol' Lady
My Ol’ Lady, Mark Andreason. Described by Mark as, “the woman who has been behind [me] in the shadows, supporting [me] while incarcerated.”
I wonder sometimes if my negative outlook blocked me from openings because now that I am moving in a direction where I allow myself to be free, opportunities continue to come my way. I found out this month that “I’m Tired” is being published in Average Art, an art industry magazine based in London. Wow! I still can’t seem to wrap my head around the good feeling that has come over me, but I am excited because my artwork is out in the world—at least internationally—for everyone to see it. 

If that is not enough, I have also received a Special Merit Award from LightSpaceTime.art, which is featuring “Beginnings” on YouTube for their 8th Annual Animals Online Exhibition. My mind races with how many people will be exposed to my work. It is amazing to me that I am experiencing such good fortune. The way I see it is that if my work is in the world, then I am in the world.

So you know, I don’t know if I am the same Mark Andreason anymore, but I do know that I like this guy. I can look at him in the mirror even with all of his faults and past transgressions. What I know about this guy is that he is talented based on the recent public opinions of others. He’s also a man who appreciates the natural unfolding of a new chapter in his life. Mark Andreason is growing every day. In some ways, he is a kid again with a fresh pair of eyes and a grateful heart. Wouldn’t you know it? That guy is me!

The Markabo Swell
The Markabo Swell, Mark Andreason. “My transgressions have cost me more than 30 years of my life behind bars. Once upon a time, the thought of being released seemed overwhelmingly out of reach. No more. The love of one good woman has shown me how to believe in my talent and not fall to temptation. And we go forward together.” 

 

More about Mark:

Since 1986, California-based Mark Andreason has been honing self-taught skills. Mark was heavily influenced by the painters Julie Bell, Boris Vallejo, and artist Luis Royo. He uses only pen and eraser to develop urban Gothic drawings. “Someone asked me, ‘When do you create for yourself?’ I thought it was an odd question since I enjoyed drawing for other people and assumed that it was understood that I was drawing for me. Duh? But then I realized that what I was really being asked was to look to my art for what motivated me. It took on a different meaning and had a different purpose, especially dealing with my disappointment about not being free. I am now working from the inside by freeing myself instead of expecting those from the outside to determine my fate.”

 

*This post was originally published on the baddkarMA.net Blog, May 27, 2018, and used with permission from the artist/writer. Please visit the site to experience more of Mark’s artwork and writing.

 

“My body may be imprisoned, but nothing can keep my creative vision from reaching out beyond these walls.” – the unbounded heartwork of Carole Alden

Woman Impaled - Part 1 of Bars Triptych
Prison Cell Bars Triptych, part 1: “‘Woman impaled upon bars’: I originally did this concept when I was very first incarcerated and facing a sentence of 20 – life. I had been unexpectedly ripped from my children’s lives. Out of five children I still had two that were young enough to be at home. A 14 year old son and a 9 year old daughter. The positioning of the woman represents the overwhelming pain and mental anguish at seeing my hopes and dreams disappear beyond a horizon. I felt helpless and hopeless for a long time.”  
Woan Crocheting - Part 2 of Bars Triptych
Part 2: “The woman crocheting is an act of defiance. This is a mindset developed after over a decade. My body may be imprisoned, but nothing can keep my creative vision from reaching out beyond these walls. Whether it’s beauty, or a statement…it’s going to places I may never. This piece is about finding your voice in whatever manner available to you.”
Untitled - Part 3 of Bars Triptych
Part 3: “In this cell, the fish represents the protective mental and emotional barriers we construct to keep ourselves safe. The child represents the changes we go through to nurture our new dreams.”
“The pregnant mermaid and the male with his back turned has to do with domestic violence. Being held captive by a spouse who hides their true nature. Feeling trapped, dead inside, and praying for your children.”
Baby Peeling Head Open
“Baby Peeling Head Open – This represents therapy in prison. You’re treated like a child in a steel playpen. Painful but necessary to examine the content of your head in order to grow beyond your circumstances.”

Mermaid and Fish

Mermaids
“There are four drawings that incorporate mermaids with children or fish. These are simply joyful pieces.”

Mermaid and Fish

Mermaid

 

 

Girl with Dragon
“‘Girl with Dragon’ represents the desire I had as a child to feel protected.”
Hippocampus
“The horse sea creature is a hippocampus from mythology. Just for fun.”

 

Cadillac - When I'm Free
“The Cadillac fiber sculpture (crochet) is a piece that is part of a “When I am free” series. It helps me to visualize a day when I am no longer in prison. I feel that it is crucial to develop a freedom within yourself regardless of your surroundings. It gives you that reservoir of spirit that keeps you intact mentally and emotionally no matter what you have to cope with behind bars. If you believe that they can’t take who you are away from you, then they won’t be able to ever silence you completely. Creating works of art and words are the best way to continue your connection with the larger world.”

When I Am Free

When I Am Free

When I Am Free

 

 

 

Sketches from Inside

insideoutINSIDE | OUT

Sketches from Inside

In January of this year, we started a Prison Arts Pilot Program here at Avery Mitchell Correctional Institution (AMCI) in Spruce Pine, North Carolina. We set out to do a series of 9 drawing classes with 15 incarcerated men each of whom are serving sentences from a few years to life. Our original intention was to solely focus on drawing exercises as many of the men were most interested in learning skills and art terms that others are able to learn in school. Over the weeks though, our drawing exercises turned into communal teaching opportunities in which all participants taught each other and we all learned to grow together as artists.

Our classes are now comprised of technique sharing, looking at work of artists both inside and outside the prison walls, and talking about the purpose and benefit of making art. We meet weekly to laugh, talk, and draw together and our sessions last just an hour and a half. In May, we will begin round two of our program and we are excited to bring in guest artists, look at more artwork, and to keep sharing the talents of these men.

More than anything, the men at AMCI would like you to know that they have talent, heart, and soul and do not want to be forgotten.

This program is generously funded and supported by the Penland School of Crafts Community Collaboration Program. Special thanks to Stacey Lane for her tireless work.

Thank you to Angela Lamm, Dawn McMahan, and Jason Penland at the Avery Mitchell Correctional Institution, and Aaron Buchanan at Fox & the Fig.

With sincere thanks to the 12 artists in this show, we are so happy to be working with you.

Daniel T Beck, Sarah Rose Lejeune, and Rachel Meginnes

About AMCI:

The Avery Mitchell Correctional Institution currently has 846 occupied beds, and has a capacity for 856. They have 95 men incarcerated there with life sentences, and 53 that have been “promoted” to minimum custody, who will soon be sent to a lower security facility that has more opportunity for work release and transitional programming. The men incarcerated at AMCI are between the ages of 22 and 73. This facility is classified as medium custody, although many of the men would describe it as run closer to that of a maximum unit, with rules enforced tightly across the board. The men currently participating in this prison arts program are predominantly active artists, most of whom hold long sentences. Very few of these men were practicing artists on the outside, their interest in making predominantly began as therapy and hobby once incarcerated. They take their craft very seriously, although only two of the program participants have had minimal formal training. These men teach and share knowledge and skills with great compassion, their artwork a common thread that builds community and commonality.

reception (11 of 20)

Angela Lamm is a Correctional Case Manager and Volunteer Coordinator at the Avery Mitchell Correctional Institution. She has worked tirelessly with us to make this program a reality.

Inside Out opening reception

The Inside Out exhibition included written statements by many of the artists, and a notebook for viewers to record their thoughts and feelings about the work. We were able to share these responses with the artists, opening up dialogue between those inside and outside the prison walls.

The artists:

Ted Brason

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Nick Tucci-Caselli

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Robert Reid

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Bobby Autry

Slide16

bobby autry (2)

 

David Jones

Slide18

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Antonio Trejo

Slide20

 

David Bauguess

Slide21

david bauguess (2)

Eric Hughes

Slide22

 

Juan Santiago

Slide23

 

Michael Lewis

Slide24

 

Michael Sheets

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Tyvon Gabriel

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As instructors we continue to grow alongside the students, always challenged by and learning from class conversations. This initial pilot program is continuing. Moving into summer we are expanding the structure of the course to include a mixture of slide lectures, open studio time, prompts and exercises, and a series of guest instructors. The Inside Out exhibition currently on display at Fox and Fig in Spruce Pine, NC has plans to travel to Boone, NC, and potentially additional venues, with additional exhibitions slated to culminate future course segments.