Book Launch – Words After Dark: A Lyrics, Lit & Liquor Anthology

We are excited to share the book launch of Words After Dark: A Lyrics, Lit & Liquor Anthology, edited by Amy Dupcak and JAC community member Amanda Miller. The anthology, now out on Lucid River Press, features poetry, essays, stories, comedy and song lyrics, originally performed during the now eight-year-run of Miller’s literary/performance series Lyrics, Lit & Liquor. We invite you to join tonight’s live-streamed rooftop reading in celebration of the book’s official release (Saturday 9/19 at 5pm ET via Facebook live). 

We are also delighted to announce that Miller and Dupcak are generously donating 20% of the book’s proceeds to the Justice Arts Coalition! The anthology is available in paperback for $12 on Amazon


We had the pleasure of speaking with Amanda Miller to learn more about her work and the creation of Lyrics, Lit, & Liquor and Words After Dark. 

JAC: Please describe a bit about your background as it relates to the work you are doing today. How did you become involved in this work? 

AM: I am a writer, performer, event producer, yoga instructor, massage therapist, Jewish educator, and activist. To me, these roles are all interconnected and overlapping, falling under the umbrella of arts and healing. Theater and writing came first and organically sprouted into the rest.

I became involved in JAC through my work with PEN America’s Prison Writing Program where I have served as a Prison Writing Awards Committee member, event co-curator, book reviewer and performer. I co-curated and performed in the program’s virtual event A Stronger Desire To Live as part of PEN’s World Voices Festival in June 2020 featuring visual art from JAC’s roster of artists, which is how I first connected with JAC. I got involved with the Prison Writing Program when the director was reaching out to NYC Reading Series to feature work by incarcerated writers as part of PEN’s first ever BREAK OUT series, a movement to (re)integrate incarcerated writers into the literary community.

JAC: What inspired you to start Lyrics, Lit & Liquor and how has it evolved over the years, culminating in the release of this anthology?

AM: Inspiration for the series came when my writing group member, Scott Hess, launched his novel back in 2012 with a variety show. At the time of Scott’s launch I’d been hosting a comedy variety show, but I’d never attended one in which literature was featured let alone the centerpiece of the evening. I found that breaking up the readings with other forms of art helped audiences listen more deeply.

For a while I’d been straddling the performance and literary worlds, but Scott helped me see a way to bridge the two. A chapter from my memoir One Breath, Then Another was due out in an anthology that August. I decided to celebrate with an event in the dive bar where I hosted the comedy show with a reading of my chapter sandwiched between various acts. It was a memorable night, moving from the hilarious to the heartbreaking with lush tunes interspersed throughout. Afterward, the venue invited me to host an ongoing show in this format and, with that, Lyrics, Lit & Liquor was born.

While other performances would be sprinkled in, readings and music would form the show’s backbone. The most important thing was to have a fun, welcoming, unpretentious, DIY feel open to a wide array of writers, musicians, and performers, with no fancy credits or a book deal required. A discussion about the series with dear friend, fellow writing group member and Jeopardy! fan Amy Dupcak led to the idea to include original themed trivia at every show, a question between each performance.

While we have changed venues four times in our nearly eight-year lifespan, we’ve remained in the East Village. And while the overall vibe of that neighborhood has dramatically changed over the past decade, it’s still hallowed ground for DIY alternative art and culture. We’ve always aimed to contribute to the spirit of a neighborhood that keeps that torch lit.

Words After Dark is a natural outgrowth of our series and the brainchild of myself and Amy. We wanted to feature some of the talented readers and musicians who have graced our stage over the years, and to share their work with an even wider audience. Editing this anthology has been a labor of love nourished by a deep commitment to maintaining a space for open artistic expression and community.

JAC: What is unique about Lyrics, Lit & Liquor and how have you maintained/translated this into the anthology? What makes Words After Dark different from other collections of poems, stories, lyrics, etc?

AM: Lyrics, Lit & Liquor’s eclectic nature makes the series unique: at any given event you may experience an old lady character stripping down to her leopard print drawers, satirical political country songs, an operatic magician, a topless woman with a political message scrawled across her chest rocking out on her electric guitar, confessional poetry, quirky fiction, gripping memoir, and audience members shouting bizarre noises to answer a trivia question for a candy bar.

Organized into sections that pair beverages with writing and trivia (answers in the back—no peeking!), Words After Dark recreates the Lyrics, Lit & Liquor experience on the page. Sip a Dirty Martini while snickering at the lyrics to “A Sweet Fucking Word” by award-winning comedian and musician, Jessica Delfino. Indulge in a Bloody Mary while absorbing the gut-punching novel excerpt from critically-acclaimed author Scott Alexander HessThe Root of Everything. Toss back a tequila shot while taking in the heart-stomping prose poem “My Past and Future in Present Tense” by PEN America Prison Writing award winner Sean Dunne. Drinks are hand drawn by New York graffiti artist Matthew Litwack. All these elements make Words After Dark different from other collections.

JAC: What inspired Words After Dark

AM: As we were rounding the corner to the eight year mark, Amy and I came up with the idea for the anthology together. We wanted to celebrate our tenacity in keeping the series going this long and the awesome community we’ve built along the way. We originally intended to publish this anthology in May 2020 in tandem with a celebratory bash at the bar where we’ve been stationed for the last couple of years. Alas, Covid-19 shuttered venues, eliminated in-person gatherings and relegated us to the walls of our apartments for the indefinite future. And so we postponed our publication date, waiting until we could hold a proper release party in our proper venue. But as the pandemic has persisted with no clear indication as to when “normal life” will resume, we decided to publish now.         

The title Words After Dark comes from the fact that the words in the book were literally performed when it was dark outside. But it turns out that the title works on a more metaphorical level that speaks to our current times. Venues may be dark, but artists are still here, and the world needs art and connection more than ever.

JAC: Why are you choosing to generously donate 20% of the book’s proceeds to JAC? 

AM: In the time I’ve been a part of the JAC community, I’ve been so inspired by the work this passionate, open-hearted network of human beings is doing. This is a group of people harnessing the power of art for its highest purposes: healing, liberation, education, community, and justice. I’m donating a portion of the proceeds to JAC to support this work and also increase awareness of JAC as an entity.

JAC: What are you hoping your readers will get from Words After Dark?

AM: I hope readers will enjoy a fun, moving, enlightening journey through the drawings, trivia, comedy, short stories, song lyrics, essays, poetry, and novel excerpts on these pages. I hope they will be inspired by the unbound, uncensored creative expression.

I hope that in this time of physical distancing, the collection will provide a feeling of connection and remind readers of the power of words to lift us up.


Words After Dark is a great gift for aspiring literary writers, songwriters and comedians hankering for unbound, uncensored creative inspiration. It’s essential for anyone with an interest in NYC’s independent arts scene and for all who believe in the power of words to lift us up.

Featuring Sheila-Joon Azim, Mac Barrett, Brian Birnbaum, Adam Blotner, Emily Brout, Britt Canty, Jessica Delfino, Sean Dunne, Amy Dupcak, Rachel Evans, Juliet Fletcher, Jordana Frankel, Christie Grotheim, Jared Harel, Scott Hess, Helen Howard, Nancy Hightower, Meher Manda, Valdaniel Martins, Amanda Miller, Noam Osband, Zachary Parkman, Kyle Pritz, Joel Remland, Waylan Roche, Megan Sass, Christopher X. Shade, Shawn Shafner, Melissa Shaw, Simi Toledano, and Jenny Williamson. 

Miller and Dupcak invite you to raise your glass, silence your phone and enjoy!

A Question of Freedom

images R. Dwayne Betts – “a good student from a lower-middle-class family” – carjacked a man, went to prison, and has written a book about the experience. Betts was sixteen when he committed the crime, but tried and convicted as an adult; he served eight years in Virginia prisons. He’s been out for four years now and in that time has earned a BA, founded a book club for young men (YoungMenRead), been an intern at The Atlantic, married and become a father. Betts is now a graduate student at Warren Wilson College. His book of poetry – Shahid Reads His Own Palm – won the Beatrice Hawley Award and will be out from Alice James Books in May 2010.

A Question of Freedom is getting lots of attention (from NPR to HipHopWired), and I’m very glad. Those of us on the outside – the ones making decisions about who we lock up – need every report on prison we can get from those who’ve been there. Betts’ report is that of a very young man – a teen-ager still (“Sixteen years hadn’t even done a good job on my voice,” is the book’s first sentence) – and therefore shines important light on this aspect of contemporary US incarceration practice.

What I appreciate most in A Question of Freedom are the ways Betts attempts to:

  1. understand why he was drawn to the uncharacteristic moment that brought him to prison;
  2. express the responsibility he feels, especially to his mom;
  3. speak out about all the young black men in prison with him, while at the same time working hard for a complex – rather than a simplistic – analysis of this fact;
  4. present the varieties of senselessness he encountered in prison;
  5. describe the various ways he educated himself (with some, but not much, help from prison programs or staff);
  6. claim how literature – reading and writing – shaped the man he became as he walked out of prison.

Betts is no longer a teen-ager, but he is still a very young man. A Question of Freedom is being marketed as the first work of an emerging author, and that description makes sense. The book has the virtue of rawness – conveying as it does the confusion and circuitous thinking experienced by a child locked up with adults – and some beautiful writing. Betts’ telling also bears the (probably inevitable) limitations of a young mind that has not yet developed enough scope or distance to create a coherent whole. No matter the “more” I wish from the book, A Question of Freedom is important and I’m very glad to see it building a large readership. (written by Judith Tannenbaum)