Upcoming Exhibition: “Marking Time: Art in the Age of Mass Incarceration”

Tameca Cole. Locked in a Dark Calm. 2016. Collage and graphite on paper, 8 ½” x 11”

JAC is excited to announce the opening of MoMA’s PS1 “Marking Time: Art in the Age of Incarceration”, an exhibit running from September 17th, 2020 – April 4th, 2021.

As described on the MoMA website, “this major exhibition explores the work of artists within US prisons and the centrality of incarceration to contemporary art and culture. Featuring art made by people in prisons and work by non-incarcerated artists concerned with state repression, erasure, and imprisonment, Marking Time: Art in the Age of Mass Incarceration highlights more than 35 artists, including American Artist, Tameca Cole, Russell Craig, James “Yaya” Hough, Jesse Krimes, Mark Loughney, Gilberto Rivera, and Sable Elyse Smith. The exhibition has been updated to reflect the growing COVID-19 crisis in US prisons, featuring new works by exhibition artists made in response to this ongoing emergency.

Marking Time features works that bear witness to artists’ reimagining of the fundamentals of living—time, space, and physical matter—pushing the possibilities of these basic features of daily experience to create new aesthetic visions achieved through material and formal invention. The resulting work is often laborious, time-consuming, and immersive, as incarcerated artists manage penal time through their work and experiment with the material constraints that shape art making in prison. The exhibition also includes work made by non-incarcerated artists—both artists who were formerly incarcerated and those personally impacted by the US prison system. From various sites of freedom or unfreedom, these artists devise strategies for visualizing, mapping, and making physically present the impact and scale of life under carceral conditions. Alongside the exhibition, a series of public programs, education initiatives, and ongoing projects will explore the social and cultural impact of mass incarceration.

Marking Time is organized by guest curator Dr. Nicole R. Fleetwood, Professor of American Studies and Art History at Rutgers University, and reflects her decade-long commitment to the research, analysis, and archiving of the visual art and creative practices of incarcerated artists and art that responds to mass incarceration. The exhibition follows the release of Fleetwood’s new book, Marking Time: Art in the Age of Mass Incarceration.”

The exhibition will feature a number of artists, including some who have worked previously with JAC. JAC participating artists will include: Carole Alden; Conor Broderick; Amber Rose Daniel; Gary Harrell; Brian Hindson; William B. Livingston III; Cedar Mortenson; and James Sepesi.

For more information, please visit: MoMA Exhibition. Marking Time: Art in the Age of Incarceration. 

One thought on “Upcoming Exhibition: “Marking Time: Art in the Age of Mass Incarceration”

  1. This major exhibition explores the work of artists within US prisons and the centrality of incarceration to contemporary art and culture. Featuring art made by people in prisons and work by nonincarcerated artists concerned with state repression, erasure, and imprisonment, Marking Time: Art in the Age of Mass Incarceration highlights more than 35 artists, including American Artist, Tameca Cole, Russell Craig, James “Yaya” Hough, Jesse Krimes, Mark Loughney, Gilberto Rivera, and Sable Elyse Smith. The exhibition has been updated to reflect the growing COVID-19 crisis in US prisons, featuring new works by exhibition artists made in response to this ongoing emergency. The resulting work is often laborious, time-consuming, and immersive, as incarcerated artists manage penal time through their work and experiment with the material constraints that shape art making in prison. The exhibition also includes work made by non-incarcerated artists—both artists who were formerly incarcerated and those personally impacted by the US prison system. From various sites of freedom or unfreedom, these artists devise strategies for visualizing, mapping, and making physically present the impact and scale of life under carceral conditions. Alongside the exhibition, a series of public programs, education initiatives, and ongoing projects will explore the social and cultural impact of mass incarceration.

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